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AN EXCITING JOURNEY ACROSS A THOUSANDS YEARS' HISTORY

THROUGH THE EVOLUTION OF THE ONE OF A KIND RELATIONSHIP BETWEEN HORSE AND MAN

i nostri puledri hanno il salto nel DNA
figli di stalloni premiati allevamento cavalli Hannover Sacrofano 

CHOOSE BY PERIOD:

CHARACTERS:

 
 

THE ANCIENT WORLD

IN 350 BC THE WARRIOR AND HISTORIAN XENOPHON WROTE THE OLDEST EQUESTRIAN TECHNIQUE TREATIES IN HISTORY CALLED Περὶ ἱππικῆς (LIT. "ABOUT RIDING").

IN HIS MASTERPIECE HE ILLUSTRATES CRITERIAS ABOUT THE SELECTION, MANAGEMENT AND TRAINING OF HORSES FOR BOTH MILITARY AND WORK PURPOSES.


THROUGH THE LINES OF THIS 2700 YEARS OLD HANDBOOK WE FIND MORPHOLOGY RULES CLOSE TO MODERN STUDBOOK'S STANDARDS, INDICATIONS FOR BREAKING YOUNG HORSES, CRITERIAS TO CHOOSE AN ADULT HORSE TO BUY, PRESCRIPTIONS ABOUT STABLE LIFE AND DAILY CARE, AND FINALLY  EXERCISES FOR THE DAILY TRAINING OF "PARADE" HORSES.
IT'S NO SURPRISE THAT THE MOST CELEBRATED HORSE AND RIDER, ALEXANDER THE GREAT AND BUCEFALO WERE PART OF THIS GOLDEN AGE OF ANCIENT KNOWLEDGE.

 

 
 
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MIDDLE AGE

SINCE THE FALL OF THE ROMAN EMPIRE IN 476 AD, ABOUT 400 YEARS OF CONTINUOUS  INVASIONS BROUGHT SOCIAL AND POLITICAL TURMOIL .

AT THE END OF THE "DARK AGE" DUST HAD SETTLED IN A FEUDAL SYSTEM RULED BY KINGS AND WARLORDS.
THE REFINED CULTURE OF MORPHOLOGICAL SELECTION AND PROGRESSIVE TRAINING WERE FORGOTTEN  AND HORSES' ROLE WAS REDUCED TO MERE MEAN OF TRANSPORT OR WORK IN THE FIELDS, ONLY EXCEPTION BEING JOUSTING TOURNAMENTS PERFORMED BY THE NEW BORN ARISTOCRACY.
IN THE LATE MIDDLE AGES THIS TRADITION WAS DESCRIBED BY DUARTE I, KING OF PORTUGAL IN HIS "LIVRO DE CAVALGAR" (LIT. HANDBOOK OF RIDING"), A MEDIEVAL MANUSCRIPT FILLED WITH MINIATURES DESCRIBING THE RIGHT WAY OF RIDING, MAINLY ABOUT KEEPING A REGAL POSTURE AND KEEP STEADY IN THE SADDLE AGAINST THE IMPACT OF THE  ADVERSARY'S SPEAR

THE RENAISSANCE

THE FIRST ACADEMY IS BORN IN NAPLES, ITALY

THE DISCOVERY OF ANCIENT MANUSCRIPTS AFTER THE FALL OF CONSTANTINOPLE AND THE BIRTH OF THE ITALIAN RENAISSANCE FOSTERED  THE ATTEMPT TO CREATE AN EFFECTIVE AND UNIVERSALLY RECOGNIZED METHOD AND  IN 1490 THE FIRST HORSE RIDING ACADEMY IS BORN IN NAPLES.


THE MASTER RIDERS OF THIS NEW INSTITUTION WILL SHAPE THE ART OF RIDING IN THE WHOLE CONTINENT FOR A CENTURY.

FEDERIGO GRISONE
BORN IN NAPLES IN A NOBLE FAMILY HE SERVED AS MASTER RIDER IN THE ACADEMY BUILT FOR HIM BY KING FERDINAND OF NAPLES.
IN 1550 HE PUBLISHED THE FIRST COMPLETE WORK SINCE THE TIMES OF XENOPHON "THE ORDERS OF RIDING" WHOSE SUCCESS WAS SO GREAT  THAT IN THE YEARS BETWEEN 1550 AND 1623, 21 ITALIAN EDITIONS WERE PRINTED OF WHICH 15 TRANSLATED IN FRENCH, SEVEN IN FRENCH , SIX  IN ENGLISH AND ONE IN SPANISH.

GIOVAN BATTISTA PIGNATELLI
BORN IN NAPLES IN 1540 HE WROTE A REVISION OF GRISONE'S METHOD CALLED "BEAUTIFUL SECRETS OF HORSES ", 
IN CONCEIVING HIS SYSTEM HE ALSO INVENTED THE PILLARS, THE HALTER, AND THE THREE-PIECE  BIT TO REDUCE PRESSURE ON THE HORSE'S PALATE (STILL IN USE IN TODAY!)
ALL THE MOST IMPORTANT HOUSES OF THE CONTINENT SEND THEIR CHILDREN TO NAPLES TO ACQUIRE THE INNOVATIVE TECHNIQUES OF THE ITALIAN SCHOOL, INCLUDING THE VERY YOUNG
ANTOINE DE PLUVINEL

WHO, AFTER 6 YEARS, ON HIS RETURN TO FRANCE BECAME THE ROYAL FAMILY'S MAESTRO FOR HENRY III, HENRI IV, AND LOUIS XIII 
 

 
 
 
 

VERSAILLES, THE ACADEMY BY LOUIS XIV

IN THE FOOTSTEPS  OF THE ITALIAN ACADEMY IN NAPLES HORSE RIDING SCHOOLS FLOURISHED  ALL OVER THE CONTINENT
LOUIS  XIV FOUNDED THE VERSAILLES ACADEMY IN THE MOST PRESTIGIOUS HEADQUARTERS, HIS NEW PALACE THAT FRAMED  THE MOST LAVISH  COURT IN EUROPE

WILLIAM CAVENDISH

COUNT OF NEWCASTLE AND AFTER THE ENGLISH RESTORATION ELEVATED TO DUKE WAS 
DEDICATED SINCE A VERY YOUNG AGE TO

LEARNING DRESSAGE  IN THE FAMILY HOME 
BOLSOVER CASTLE  IN DERBYSHIRE WHERE HE COMMISSIONED THE BUILDING OF AN INDOOR MANEGE OPPOSITE TO THE LONG WING HE ARRANGED FOR A ROYAL VISIT.

DURING HIS PERIOD OF RESIDENCE IN BOLSOVER, HE PERFECTED HIS KNOWLEDGE OF LATERAL SCHOOL MOVEMENTS AND THEIR USE IN BATTLE. IN ADDITION TO THE SPANISH WALK AS AN OFFENSIVE MOVE  AND THE CAPRIOLE AS AN EVASIVE MANEUVER, HE WAS THE FIRST TO USE THE PIROUETTE AS A TACTIC TO CHANGE DIRECTION QUICKLY.

IN 1648 HE LEFT ENGLAND IN VOLUNTARY EXILE AND, MOVING TO PARIS, HE DIRECTED THE SCHOOL OF VERSAILLES ON BEHALF OF LOUIS XIV, WHERE HE PERFECTED THE POSITION
OF HIS STUDENTS BINDING THEM FOR 3 YEARS WITHOUT STIRRUPS.
LEAVING THE FRENCH COURT, HE  MOVED TO  ROTTERDAM AND OPENED HIS  OWN SCHOOL IN THE  RUBENSHUIS, WHERE THE FAMOUS PAINTER HIMSELF HAD LIVED.
IN THIS PHASE OF HIS LIFE HE INVENTED THE DRAW REINS AND WROTE HIS MASTERPIECE 
"THE NEW METHOD OF TRAINING THE HORSE"

 

cavalli in vendita pronti per salto ostacoli C130- C140 direttamente dall'allevatore senza intermediari a Roma Nord Sacrofano 

FRANCOIS ROBICHON DE LA GUERINIERE

BORN IN 1688 IN ESSAY, FRANCE.
IN 1715 HE  BECAME ECUYER (OFFICER OF CAVALRY)  BY APPOINTMENT OF THE COUNT D'ARMAGNAC, GRAND ECUYER OF  FRANCE, BUT INSTEAD OF BEING BOUND TO KEEP IN  THE SHADOW OF HIGHER RANKS  IN THE SCHOOL OF VERSAILLES HE OFFERED HIMSELF TO RESTORE  THE ROYAL STABLES AT THE  TUILERIES (ABANDONED AROUND 70 YEARS EARLIER BY LOUIS XIV)  AND OPEN A NEW SCHOOL THERE. LITTLE WOULD HE KNOW THAT THE SAME INDOOR MANEGE HE HAD RENOVATED WOULD BE USED BY THE REVOLUTIONARIES AS THE COURT ROOM BIG ENOUGH TO ACCOMODATE THE "ROYAL TRIAL " THAT WOULD SEND KING LOUIS XVI TO THE GUILLOTINE.
HIS TECHNIQUE WAS  PROGRESSIVE, LOGICAL AND RATIONAL AND CAN BE CONSIDERED AS THE BASIS OF MODERN RIDING
HIS METHOD STARTS FROM THE NEED FOR GYMNASTICS EXERCISES IN A STRAIGHT LINE WITH HALF STOPS AND THE INTRODUCTION OF A MOVEMENT OF HIS INVENTION: THE SHOULDER IN.
HIS METHOD AND THE SHOULDER IN WERE  REALLY EFFECTIVE, HIS FAME GREW AND HIS TECHINQUE SPREAD IN ALL THE SCHOOLS OF THE CONTINENT.

 
 

ANTOINE-HENRI-PHILIPPE-LEON CARTIER

VISCOUNT D'AURE

BORN IN 1799 IN THE WAKE OF THE FRENCH REVOLUTION , HE BECAME ECUYER OF THE SCHOOL OF VERSAILLES WHERE HE WAS FOLLOWED BY THE INSTRUCTOR OF THE KINGS MIRACULOUSLY SAVED FROM  THE GUILLOTINE : PIERRE-MARIE D'ABZAC  (HE WAS MAESTRO FOR LOUIS XVI, XVIII AND CHARLES X) IN THE MOST PRESTIGIOUS ACADEMY IN FRANCE  UNTIL 1830 (YEAR OF CONVERSION OF THE ENTIRE VERSAILLES COMPLEX INTO MUSEUM BY KING LOUIS PHILIPPE ) IT WAS CLOSED.


IN THE YEARS TO COME HE MANAGED THREE PRIVATE RIDING SCHOOLS IN PARIS UNTIL HE WAS CALLED TO WORK FOR THE ARMY AGAIN IN THE NEW CAVALRY BARRACKS IN SAUMUR


DURING HIS MANAGEMENT OF THE ACADEMY OF SAUMUR HE BECAME INVOLVED IN  THE FAMOUS  QUERELLE WITH HIS CONTEMPORARY HORSEMAN FRANCOIS BAUCHER. THE TWO CHAMPIONED THE TWO CONFLICTING PERSPECTIVES OF THE ERA: REASON (ILLUMINISM OF THE ANCIENT REGIME) AND FEELING (EXPRESSION OF THE NEW ROMANTIC MOVEMENT). WHILE HIS RIVAL BAUCHER PUBLISHED HIS TREATISE

"L'EQUITATION RAISONNE"
(REASONED HORSE RIDING) WHERE ANALYSIS AND SCIENCE OF THE HORSE'S BODY AND THE WAY TO DOMINATE IT TOOK THE CENTER STAGE , ANTOINE-HENRI D'AURE PUBLISHED HIS TRAITE' D'EQUITATION WHERE HE DEFINED THE FUNDAMENTAL ROLE OF THE RIDER AND THE HORSE'S  INSTINCTIVE AND PRACTICAL SIDE REPRESENTING THE ROMANTIC  SIDE OF EQUESTRIANISM

 

. HIS PRACTICAL APPROACH WAS INDEED MUCH MORE ACCESSIBLE AND QUICK IN PROVIDING EFFECTIVE FUNDAMENTALS AND BECAME THE MAIN CHOICE FOR THE ARMY TO TRAIN LARGE NUMBERS OF PEOPLE.

IT'S SUCCESS IS WELL REPRESENTED  BY THE FACT IT WAS  REPRINTED 9 TIMES AND NAPOLEON III PROMOTED D'AURE TO THE  LEGION OF HONOR FOR SPECIAL MERITS

 
 

FRANCOIS BAUCHER

BORN IN 1796 IN VERSAILLES ONLY THREE YEARS AFTER THE EXECUTION OF LUIGI XVI, IN THE WAKE OF THE REVOLUTION, HE WAS SON OF A WINE DEALER AND  EMBODIED THE NEW WIND OF FREEDOM RISEN FROM THE ASHES OF THE  ANCIEN REGIME 
WITH THE HELP OF  HIS UNCLE HE WENT TO  MILAN, ITALY, WHERE THANKS TO  THE PROTECTION OF PRINCE BORGHESE  HE WAS ABLE TO APPROACH THE EQUESTRIAN WORLD  AN EXCLUSIVE PRIVILEGE OF ARISTOCRACY UNTIL THEN, TRAINED BY THE FAMOUS FEDERIGO MAZZUCCHELLI.


IN 1812 HE RETURNED TO FRANCE AND BEGAN WORKING IN THE SMALL TOWNS 
OF ROUEN AND LE HAVRE  WHERE IN  1833 HE  PUBLISHED HIS FIRST METHOD IN THE FAMOUS "DICTIONNAIRE RAISONNE 'DE L'EQUITATION" IN WHICH DESCRIBES A SERIES OF FLEXIONS TO PERFORM FROM THE GROUND FIRST  AND IN SADDLE NEXT  TO ACHIEVE RELAXATION OF THE NECK, CHEEK, AND BACK OF THE HORSE. HIS EXCESSIVELY MECHANICAL APPROACH MADE HIM COLLIDE WITH THE VIEWS OF HIS CONTEMPORARY RIVAL  ANTOINE-HENRI D'AURE AND HIS INSTINCTIVE APPROACH.

HE GOT SERIOUSLY INJURUIED IN HIS LEFT LEG WHEN A CHANDELIER FELL ON HIM FROM THE CEILING OF AN INDOOR ARENA HE WAS SUPPOSED TO PERFORM IN DURING A SHOW IN PARIS. HIS LEG BEING IRRIMEDIABLY COMPROMISED HE NO LONGER PERFORMED IN PUBLIC AND RETIRED TO RIDING UNDER CLOSED DOORS ONLY. 
HIS NEW PHISICAL CONDITION FORCED HIM TO REARRANGE HIS METHOD TO ACHIEVE THE SAME RESULT IN A MORE HARMONIOUS WAY LEVERAGING ON THE HORSE'S NATURAL BALANCE AND IMPULSE AND STUDIYING THE EFFECTS OF THE RIDER'S SIMULTANEOUS AND COORDINATED ACTIONS ON IT.  IN THIS PHASE OF HIS LIFE HE ALSO INVENTED THE BAUCHER BIT WHICH IS STILL IN USE TODAY.

 

 

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GEN. ALEXIS L'HOTTE

NATO NEL 1825, TRASCORSE L'INFANZIA FINO AI 15 ANNI FREQUENTANDO LA SCUOLA DI VERSAILLES DI D'AURE PER POI ENTRARE IN CAVALLERIA A SAUMUR QUANDO IL RE LUIS PHILIPPE  TRASFORMO' IL COMPLESSO DI LUIGI XIV IN MUSEO NAZIONALE.  SI DISTINSE IN NUMEROSE OPERAZIONI MILITARI COME UFFICIALE E CON UNA CARRIERA FULMINANTE NEL 1864 VENNE NOMINATO ECUYER EN CHEF DEL CADRE NOIR DI SAUMUR DA NAPOLEONE III IN PERSONA.  

 IL SUO PERIODO A SAUMUR HA RAPPRESENTATO IL MOMENTO DI SINTESI TRA IL SISTEMA DI EQUITAZIONE DI D'AURE E BAUCHER (CHE CONOSCEVA E FREQUENTAVA ENTRAMBI). 

IL METODO DI L'HOTTE SI BASA SUL PRINCIPIO DI ARMONIA E NON SOPRAFFAZIONE DELL'ANIMALE SECONDO IL QUALE GLI AIUTI NON DEVONO ESSERE IN CONTRASTO  E NESSUN MOVIMENTO, CAMBIAMENTO DI EQUILIBRIO O RICHIESTA DEBBA ESSERE SUPERFLUO O DI DISTURBO PER IL NATURALE SVOLGIMENTO DELLE ANDATURE DEL CAVALLO CHE DEVE PROCEDERE CALMO, IN AVANTI E DRITTO.

RITIRATOSI DALLA CARRIERA MILITARE ALL'ETA' DI 70 ANNI COPERTO DI ONORI COME GENERALE DI CORPO D'ARMATA MEMBRO DELLA LEGION D'ONORE  SI DEDICO' ALLA STESURA DELLE SUE "QUESTIONS EQUESTRES"

ANCORA OGGI E' CONSIDERATO IL FONDATORE DEL CADRE NOIR E DELL'EQUITAZIONE ALLA FRANCESE IN TUTTO IL MONDO

 
 

GUSTAV STEINBRECHT

THE PINNACLE OF THE CLASSIC MANEGE 

NATO NEL 1808 IN SASSONIA, ALL'EPOCA PARTE DELL'IMPERO PRUSSIANO. INIZIALMENTE APPASSIONATO DI VETERINARIA SI RECO' A BERLINO DOVE CONSEGUI' LA LAUREA PRIMA DI DEDICARSI PER OTTO ANNI ALL'APPRENDIMENTO DELL'ARTE EQUESTRE DAL LUMINARE LOUIS SEEGER DEL QUALE SPOSO' ANCHE LA NIPOTE. 

DAL 1843 COMINCIO' LA CARRIERA IN PROPRIO PRIMA IN UNA SCUDERIA IN AFFITTO, POI NELLA SCUDERIA DI PROPRIETA'  A DESSAU. 

 CONTEMPORANEO E ASPRO CRITICO DEL BAUCHER DEL PRIMO METODO, CONCEPI' NEL SUO "DAS GYMNASIUM DES PFERDES" USCITO POSTUMO  UN METODO PROGRESSIVO ORGANICO ANCORA CONSIDERATO IL FONDAMENTO DELL'ADDESTRAMENTO DELLE DISCIPLINE OLIMPICHE  CHE NOI OGGI COMUNEMENTE CHIAMIAMO "SCALA DEL TRAINING" 

 

LA STRAORDINARIA MODERNITA' DEL METODO DI STEINBRECHT RISIEDE NEL PORRE AL CENTRO DELL'ADDESTRAMENTO L'IMPULSO E L'ALLINEAMENTO  SPALLE /ANCHE IN MANIERA PROGRESSIVA TENENDO CONTO DELLE NECESSITA BIOMECCANICHE, DI COORDINAZIONE  E DI SVILUPPO DELLE CATENE MUSCOLARI COINVOLTE  SINTETIZZANDO SIA IL PERCORSO ADDESTRATIVO DELL'ANIMALE DALL'INIZIO A FINE CARRIERA, SIA L'ORGANIZZAZIONE DELLA SESSIONE DI ADDESTRAMENTO QUOTIDIANA IN SOLI 6 PUNTI FONDAMENTALI

RITMO

DECONTRAZIONE

CONTATTO

IMPULSO

CAVALLO DRITTO

RIUNIONE

PUR SEMPRE MANTENENDOSI, AL CONTRARIO DI BAUCHER, IN CONTINUITA' CON LE CONOSCENZE PREGRESSE SUGLI ESERCIZI DI DECONTRAZIONE E FLESSIONE.

 

FEDERIGO CAPRILLI

THE FOUNDER OF MODERN NATURAL RIDING, FATHER OF SHOWJUMPING AND CROSS COUNTRY AS WE KNOW THEM

NATO A LIVORNO NEL 1868  E' CONSIDERATO IN TUTTO IL MONDO IL PADRE DEL SALTO OSTACOLI E DEL CONCORSO COMPLETO

 ALL'ETA' DI 18 ANNI ENTRO' ALL'ACCADEMIA MILITARE DI MODENA E VENNE PARADOSSALMENTE INDICATO COME FISICAMENTE INADATTO ALL'EQUITAZIONE. DETERMINATO E CON UNA CERTO DISPREZZO DELL'AUTORITA' RIESCE FATICOSAMENTE AD ESSERE ASSEGNATO ALLA CAVALLERIA  NONOSTANTE IL GIUDIZIO NEGATIVO ESPRESSO DAI SUPERIORI.  

DURANTE IL CORSO ALL'ACCADEMIA ENTRO' IN CONTATTO CON I GRANDI NOMI DELL'ALTA SOCIETA' ITALIANA TRA CUI GIANNI AGNELLI E IL CONTE EMANUELE CARCHERANO DE BRICHERASIO CHE LASCERANNO LA CARRIERA MILITARE POCO DOPO PER FONDARE LA FIAT.

AL TERMINE DEL BIENNIO IN ACCADEMIA (DALLA QUALE ESCE BOLLATO COME CAVALIERE MEDIOCRE) VENNE TRASFERITO ALLA SCUOLA MILITARE DI PINEROLO DOVE LE SUE QUALITA' EQUESTRI MIGLIORARONO RAPIDAMENTE TANTO DA ESSERE SCELTO PER IL CORSO DI EQUITAZIONE DI CAMPAGNA NELLA NUOVA CASERMA DI TOR DI QUINTO VOLUTA DAL MINISTRO DELLA GUERRA LUIGI PELLOUX TENUTO DAL MARCHESE LUCIANO DI ROCCAGIOVINE PERSONALITA' DI SPICCO DEL PANORAMA SPORTIVO DELL'EPOCA CHE SI LIMITAVA ALLO STEEPLE CHASE E ALLA CACCIA ALLA VOLPE.

DAL 1891 LE SUE STRAORDINARIE CAPACITA' FURONO RICONOSCIUTE, IL SUO PRESTIGIO AUMENTO' E NEL 1894 VENNE NOMINATO ISTRUTTORE  DELLA SCUOLA DI TOR DI QUINTO DOVE GRAZIE AGLI STUDI DI BIOMECCANICA E ALL'OSSERVAZIONE DELL'ATTEGGIAMENTO NATURALE DEL CAVALLO SUL SALTO INVENTO' LA POSIZIONE  DI SALTO "IN EQUILIBRIO" IN CUI LE MANI E LE SPALLE DEL CAVALIERE ACCOMPAGNANO LA BASCULA DELL'INCOLLATURA.

QUESTA RIVOLUZIONE COPERNICANA GLI PERMISE DI RAGGIUNGERE RECORD INAUDITI SIA  DI ALTEZZA (2.08 M) E IN LUNGO (6,28M) IN OCCASIONE DEL CONCORSO IPPICO DI TORINO.

NEL 1906 PARTECIPO'  PER LA PRIMA VOLTA ALLE OLIMPIADI AD ATENE DOVE DIMOSTRO' AL MONDO L'EFFICACIA DEL SUO NUOVO METODO. ( ALCUNI SOSPETTANO FOSSE IN REALTA' LA SECONDA E CHE FOSSE LUI CHE PARTECIPO' AL POSTO DEL SUO ALLIEVO IL CONTE GIAN GIACOMO  TRISSINO AI  GIOCHI DI PARIGI DEL 1900 VINCENDO L'ARGENTO) 

 

NEL 1905 TENNE UN CORSO NELLA REGGIA DI STUPINIGI PER 7 UFFICIALI STRANIERI VENUTI AD APPRENDERE ED ESPORTARE IL SUO METODO RIVOLUZIONARIO.

NELLA PRIMAVERA DEL 1907 SI LAUREA CAMPIONE ITALIANO E MUORE IMPROVVISAMENTE  NEL DICEMBRE DELLO STESSO ANNO.

 

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